Three Billboards Outside Ebbing, Missouri

THREE BILLBOARDS OUTSIDE EBBING, MISSOURI
2017 | Dir. Martin McDonagh | 115 Minutes

"She got killed, still no arrest. How come, I wonder. Because there ain't no God, and the whole world's empty, and it doesn't matter what we do to each other? I hope not."

Furious mother Mildred Hayes buys ad space in a remote location in the small town of Ebbing, Missouri, to chastise the local sheriff for his inability to solve the case of her teenage daughter's brutal rape and murder. Public opinion quickly turns against Mildred due to the open secret of the sheriff's failing health. As the situation escalates, Mildred acts on her worst impulses, and the most unlikely person in town discovers a potential lead on the case.

Martin McDonagh's Three Billboards Outside Ebbing, Missouri is a powerful drama about one mother's absolute refusal to let go as she lives in the unbearable aftermath of an unspeakable crime. While there are comedic moments in the film, the majority of any humor to be had is morbid, and the violence perpetrated in the narrative is sudden and shocking. While Mildred's anger is undoubtedly righteous, the story is one of displaced and misplaced rage, of the products of domestic abuse, and of people uniting under a dubious cause for dubious reasons. The film plays out like a true crime story in which events unfold in an unpredictable manner and easy solutions are nowhere to be found.

The picture's fantastic cast is led by the ever-brilliant Frances McDormand as Mildred, absolutely personifying a thirst for vengeance that severely compromises all logical judgement. Playing a racist, violent, and incompetent white trash deputy who may not be beyond redemption (the unequivocal heart of controversy for the film), Sam Rockwell gives the performance of his career. The cast also features excellent performances from a selection of some of the best character actors available including Woody Harrelson as the dying Sheriff Willoughby, Lucas Hedges as Mildred's wary son, Caleb Landry Jones as the dopey owner of the billboards, Peter Dinklage as a local with an unrequited crush on Mildred, John Hawkes as Mildred's abusive ex-husband, and Clarke Peters as the new sheriff and sole voice of reason.

Grim, funny, often upsetting, but always captivating, Three Billboards Outside Ebbing, Missouri is a story of misguided anger and the search for justice and meaning, a search that may never end. The film is challenging, thematically rich, hopeless to a certain degree but hopeful in other ways, and hands down one of the best films of 2017.


FRAGMENTS
- Caleb Landry Jones appears in two Best Picture Oscar Nominees that were released in 2017: this film and Get Out

- Lucas Hedges appears in two Best Picture Oscar Nominees that were released in 2017: this film and Lady Bird

- Kathryn Newton appears in two Best Picture Oscar Nominees that were released in 2017: this film and Lady Bird

- I was particularly thrilled with Clarke Peters' reassuring presence as a straight-shooting lawman, not too far removed from his iconic role as Lester Freamon on The Wire


MCU CONNECTIONS
- Sam Rockwell (Justin Hammer in Iron Man 2)

- Kerry Condon (FRIDAY in Avengers: Age of Ultron, Captain America: Civil War, Avengers: Infinity War, and Avengers: Endgame)

- Peter Dinklage (Eitri in Avengers: Infinity War)

- Christopher Berry (Randy in Spider-Man: Homecoming)

- Kathryn Newton (Cassie Lang in Ant-Man and the Wasp: Quantumania)

The Shape of Water

THE SHAPE OF WATER
2017 | Dir. Guillermo del Toro | 123 Minutes

"When he looks at me, the way he looks at me, he does not know what I lack or how I am incomplete. He sees me, for what I am, as I am. He's happy to see me every time, every day."

In Cold War era Baltimore, Maryland, a mute woman named Elisa works as a janitor at a secret government facility. Elisa falls in love with an aquatic humanoid creature held captive in the lab, but as their romance blossoms she catches the attention of the sadistic colonel who captured the creature. With the creature's life on the line, Elisa helps the creature escape with the help of her friends.

The Shape of Water is a creature feature with a romantic heart beating at its core. Writer/Director Guillermo del Toro's fondness for monsters and old Hollywood colors every frame of the film. The audience is quickly introduced to Alisa who lives alone in a creaky apartment above an old movie theater through her day-to-day routine down to the most honest and intimate detail. As Alisa's relationship with the creature develops, rather than shy away from depicting the physical act of love, del Toro fully embraces the moment as one of romantic beauty and triumph. The supporting characters populating the relatively simple narrative are also nuanced and human to a fault, from Alisa's awkward neighbor who has a shy crush on the server at the local cafe to the villainous colonel who suffers from intense feelings of inadequacy.

As the mute heroine Elisa, Sally Hawkins is simply lovely and undeniably magnetic, carrying the film with genuine strength and grace. Doug Jones, the Boris Karloff of our time (and director Guillermo del Toro's regular ace in the hole), delivers yet another brilliant and affecting performance as the meticulously-realized fishman - here's hoping the Academy honors him with a statue some day if they're ever less stuffy about recognizing genre films. Character actor Michael Shannon at his most volatile raises the dramatic stakes considerably as the colonel, and leads a fantastic supporting cast featuring Octavia Spencer as Elisa's unhappily wed friend from work, Richard Jenkins as her kindly gay neighbor, and Michael Stuhlbarg as a conscientious soviet spy.

An artful and truly unique blend of pure romance and monster movie, The Shape of Water is a heartfelt tribute to those who feel unloved, and the fulfillment one may find in unexpected places. The film ranks among Guillermo del Toro's finest works, and it's without a doubt one of the best motion pictures of the year.


FRAGMENTS
- Writer/Director Guillermo del Toro reportedly asked for assistance from female members of his family and female friends to design the shape of the creature's butt to ensure that it was pleasing to the eye

- Doug Jones previously appeared in Writer/Director Guillermo del Toro's Hellboy and Hellboy II: The Golden Army based on Mike Mignola's comic book series as Abe Sapien, a similar amphibious humanoid creature

- Michael Stuhlbarg appears in three Best Picture Oscar Nominees that were released in 2017: this film, Call Me By Your Name, and The Post


MCU CONNECTIONS
- Michael Stuhlbarg (Nicodemus West in Doctor Strange and Doctor Strange in the Multiverse of Madness)

The Post

THE POST
2017 | Dir. Steven Spielberg | 116 Minutes

"We can't hold them accountable if we don't have a newspaper."

In the mid 1960s, an embittered military analyst leaks classified reports documenting the extensive secret history of the ongoing Vietnam War that was hidden from the American public to various news outlets. It is a race against the clock for the reporters of the financially fragile Washington Post to obtain the documents to beat other publications to press time, but when the Nixon Administration bars the New York Times from publishing the classified information, Katharine Graham, the reluctant owner of the Washington Post, must choose between protecting the integrity of her politician friends and the stability of her business, or serving the American people by exposing the truth.

Steven Spielberg's latest film is a relatively standard, competently-constructed drama elevated by its magnificent cast. The picture's captivating narrative surrounding the Washington Post's decision to publish the Pentagon Papers unfolds in a deliberate fashion that is at times frustrating and at times exhilarating. The focus of the feature shifts between the drama surrounding Graham (and the men who both support and subvert her leadership) and the revelation of the shocking truths behind the Vietnam War. The very best sequence of the film involves the leadership of the Washington Post on multiple telephones sharing one phone line, arguing over whether or not their Pentagon Papers story should be published with press time just hours away.

While Meryl Streep and Tom Hanks are at the top of their respective games, they do not deliver their very best work. Streep is perfectly regal and relatable as Katharine Graham, but while Graham faces a significant personal dilemma, the role ultimately does not require much range. The same can be said of Hanks' part as Ben Bradlee, with Hanks once again doing a fine job taking on his bread and butter role of the standard everyman, this time in the form of the impassioned newspaper editor-in-chief with little to no respect for authority. The supporting cast is packed with a variety of talent featuring Bruce Greenwood, Tracy Letts, Bradley Whitford, Matthew Rhys, Alison Brie, Sarah Paulson, Bob Odenkirk, David Cross, Carrie Coon, Jesse Plemons, Zach Woods, and Michael Stuhlbarg all in key roles.

The true story of the Washington Post's decision to report on the Pentagon Papers, and subsequently provoke the wrath of the Nixon administration, already a story worth telling and retelling, is all the more relevant now considering the current presidential administration's disdain for the press. However, Spielberg's narrative unfolds in an almost painfully procedural way. The Post is without a doubt an important film, but its greatest flaw is that it is just a good movie but not a great one.


FRAGMENTS
- Bradley Whitford appears in two Best Picture Oscar Nominees that were released in 2017: this film and Get Out

- Tracy Letts appears in two Best Picture Oscar Nominees that were released in 2017: this film and Lady Bird

- Michael Stuhlbarg appears in three Best Picture Oscar Nominees that were released in 2017: this film, Call Me By Your Name, and The Shape of Water

- Bob Odenkirk, Jesse Plemons, Carrie Coon, and Michael Stuhlbarg were all featured in the acclaimed Fargo television series

- It's incredibly gratifying to Bob Odenkrik and his comedy partner David Cross, the creators/stars of Mr. Show, featured so prominently together on screen in a Steven Spielberg film


MCU CONNECTIONS
- Michael Stuhlbarg (Nicodemus West in Doctor Strange and Doctor Strange in the Multiverse of Madness)

- Carrie Coon (Proxima Midnight in Avengers: Infinity War)

Phantom Thread

PHANTOM THREAD
2017 | Dir. Paul Thomas Anderson | 130 Minutes

"You're not going to die. You might wish you're going to die, but you're not going to."

Renowned dressmaker Reynolds Woodcock is a confirmed bachelor, completely dedicated to his work, and reluctant to maintain any meaningful emotional relationships. One day, a waitress named Alma captures Woodcock's attention and quickly becomes his live-in muse and lover. The pair struggle to love and understand one another as their contrasting personalities alternate between melding and clashing. After their relationship is damaged through several difficult episodes, fearing that she would lose Woodcock, Alma makes a drastic decision.

A tale mad love in the world of 1950s London high fashion, director Paul Thomas Anderson latest film is an aesthetically-rich finely-crafted picture. While every detail in the production design of the feature is lovely, not least of which the real artistic work behind the lavish tailored gowns, Anderson juxtaposes the beauty with a quiet sense of dread. The tension between Woodcock and Alma, accentuated by Jonny Greenwood's brilliant musical score, is palpable and a feeling of discomfort permeates the entire picture.

Announced as Daniel Day-Lewis' final film performance, Phantom Thread is an appropriately fitting send-off for the accomplished method actor. Woodcock is equal parts charming, insufferable, attentive, and cruel, and Daniel Day-Lewis completely disappears into the persona once again demonstrating his ever-impressive talent. Vicky Krieps perfectly complements Daniel Day Lewis' eccentric particularity as the unapologetically headstrong Alma, revealed to be harboring a vengeful mean streak of her own. The feature is driven by the pair's excellent chemistry and by their endlessly entertaining verbal sparring matches courtesy of Anderson's razor-sharp screenplay. Lesley Manville deserves special notice as Woodcock's no-nonsense sister Cyril, effortlessly embodying the protective but wary sibling who knows and has lived with her brother's moods and eccentricities all her life.

Phantom Thread is as visually pleasing as Woodcock's dresses and as emotionally complex as a love laced with poison. Excellent performances from Daniel Day-Lewis and Vicky Krieps elevate the picture to astounding heights. While the romantic narrative leads to a dark and sinister place that may be surprising and disturbing, it is absolutely captivating.


FRAGMENTS
- Reynolds Woodcock is loosely based on British fashion designer Charles James

- To prepare for the role of Reynold Woodcock, Daniel Day-Lewis designed and crafted a Balenciaga dress from scratch

- Writer/Director Paul Thomas Anderson states that there is no official credit for the cinematography for the film, and that it was a "collaborative effort"

Lady Bird

LADY BIRD
2017 | Dir. Greta Gerwig | 93 Minutes

"The only thing exciting about 2002 is that it's a palindrome."

Catholic high school senior Christine "Lady Bird" McPherson and her mother Marion are at odds about Lady Bird's desire to attend college away from her hometown. Leading up to graduation, Lady Bird openly defies authority, falls for boys who are not good for her, and briefly abandons her best friend to socialize with the popular kids. Meanwhile, Lady Bird's middle class family struggles through tough financial challenges.

Greta Gerwig's directorial debut is a funny true-to-life coming-of-age story with a screenplay by Gerwig that accurately portrays the life of a high school senior without sugarcoating or over-dramatizing the very real emotions experienced by youth on the cusp of adulthood. From Lady Bird's sometimes clever, sometimes clumsy mannerisms to the questionable social decisions she makes throughout the picture, there is a captivating inevitability in the way Gerwig's narrative unfolds. The early 2000's setting is authentically captured from the haircuts to the music to the truly dumb and naive things teenagers said and believed at the time. The denouement fizzles out slightly, but I guess that's realistic, too.

Saoirse Ronan is fantastic as the titular rebellious teenager, perfectly capturing the spirit and the awkwardness without turning the role into a caricature. Laurie Metcalf matches Ronan's energy as Lady Bird's mother, playing to perfection the headstrong woman who hides her own vulnerability behind a barrier of strict, no-room-for-argument parenting. Conversely, Tracy Letts is lovable as Lady Bird's seemingly perpetually laidback father who is revealed to be struggling with depression unbeknownst to his daughter. Playing the boys Lady Bird fall for, Lucas Hedges excels in a relatively small but rich role as a closeted gay Catholic, while Timothée Chalamet is hilariously believable as the detached teen in a band who believes in wild conspiracy theories and can’t be bothered. Scene-stealer Beanie Feldstein is absolutely adorable as Lady Bird's best friend Julie, quietly playing out a heartbreaking subplot in which Julie has an inadvisable crush on her math teacher.

With nuanced natural dialogue, carried by brilliant performances from its cast, Greta Gerwig crafted an instant-classic in Lady Bird. The attention to detail paid to establish the characters and the setting is remarkable. Most importantly, the themes and ideas at the very heart of the film ring true.


FRAGMENTS
- Tracy Letts appears in two Best Picture Oscar Nominees that were released in 2017: this film and The Post

- Lucas Hedges appears in two Best Picture Oscar Nominees that were released in 2017: this film and Three Billboards Outside Ebbing, Missouri

- Timothée Chalamet appears in two Best Picture Oscar Nominees that were released in 2017: this film and Call Me By Your Name

- Kathryn Newton appears in two Best Picture Oscar Nominees that were released in 2017: this film and Three Billboards Outside Ebbing, Missouri

- To this day, I adamantly loathe the Dave Matthews Band song "Crash Into Me" but the director Greta Gerwig utilizes the song in a surprisingly funny and emotionally touching way

MCU CONNECTIONS

- Kathryn Newton (Cassie Lang in Ant-Man and the Wasp: Quantumania)